My story with equipment began before photography itself. In 2013, I was flying Parrot drones during demonstrations in FNAC stores and shopping centers around Paris, long before consumer drones became commonplace. The photography epiphany came later, during my round-the-world trip in 2018. I started with a Canon camera: a shutter speed that was too slow, a plasticky, almost toy-like finish—all these details prompted me to switch. Then I got my hands on a Sony. It was instant: the magic touch. I haven't changed it since, neither the camera body nor the lenses: the best proof of its durability. Here's what I actually use, every day.
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The newer version of the same housing, for those who want the latest sensor.
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To tighten the frame without getting closer: portraits, scenes, details.
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Wide angle for volumes and large spaces: interiors, architecture, breathtaking landscapes.
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In the studio: bright, precise, my preferred lens for close-up portraits.
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Vertical grip, double the battery life. Compatible with A7 III, A9.
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Video stabilizer, smooth movements without being too bulky.
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Aerial views, in all situations: real estate, hotels, exceptional venues, events.
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Flash mounted on the camera body, to supplement natural light outdoors as well as in the studio.
The trigger that goes with it: combined with the flash, it makes it remote, outside the camera body.
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The bag that goes everywhere: the whole kit inside, tripod included, and it fits in the cabin.
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Lightweight, stable, it fits in the bag: essential for long exposures and aerial photography.
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A filter is permanently mounted to protect the lens and control the light outdoors.
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Fast and reliable: the stress of a full buffer is a thing of the past.
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All my sessions are saved twice, outside the camera as soon as I get back from the shoot.